Posts Tagged ‘Interview’
interview by Joe Vaz

I believe "God of Light" was one of several stories that came out of my desire to show my Lit professors (some who told me that writing SFF was a sure way not to get an A in their classes) that SFF was as good as literary fiction and revealed humanity just as well. I received A's in every class, so I think I made my point. |
![]() |
![]() ![]() |
interview by Joe Vaz

I like to write about cliché things, only do something opposite to the nature of the concept. |
![]() |
![]() ![]() |
interview by Joe Vaz

The move to Australia was a good one for me, and I went there as a pastry cook, really thinking that was what was going to happen, and that I’d end up owning a bakeshop in Melbourne. It turned out that their department of immigration is a lot stuffier than I’d expected, and to work as a pastry chef I had to work at some place that hired a certain number of people and they had to prove that they couldn’t find someone local and I had to be making a certain amount of money, so I ended up working in the sub-basement of a five-star hotel in Melbourne |
![]() |
![]() ![]() |
interview by Joe Vaz

I love Lois McMaster Bujold's work. When I read that she'd taken fourteen years to finish her first novel, I thought "I can do that". |
![]() |
![]() ![]() |
interview by Joe Vaz

Stories arrive and arise from many sources. This one had an interesting metamorphosis. It started with a chance remark made by a friend of mine many years ago along the lines of, “imagine two people had to meet up for dinner every few years otherwise the world will end.” I mean, who wouldn’t want to find out more about these two people? |
![]() |
![]() ![]() |
interview by Joe Vaz

My fascination with the occult, coupled with the time period and a healthy dose of Lovecraftianism. My thesis is on Lovecraft and Poe; reading those two on a daily basis will supply a plethora of interesting ideas. |
![]() |
![]() ![]() |
interview by Joe Vaz

Engaging the Idrl was inspired by the story of a specialist truck driver in the British Territorial Army who tragically committed suicide in August of 2004 after returning from the Iraq war. The gentleman in question experienced first-hand the horrifying incident of the chocolate bar described in the story. I was so moved (and disturbed) by it that I had to respond by committing my feelings to print. |
![]() |
![]() ![]() |
interview by Joe Vaz

There were times when I was writing it, when I'd look at what I'd just written and think: I can't believe I just wrote that. They're going to crucify me for this. You're not supposed to say things like this, let alone write them. But then I realised that if I did tone it down or censor it that I would be a coward and that I would be cheating the story. I think that it's important to be true to the story and that as a writer, it's my job to push boundaries and explore those taboo subjects. |
![]() |
![]() ![]() |
interview by Joe Vaz

Driving from Glacier National Park, Montana to Chicago takes a long time (1,500 miles). In the ebb and flow of the road, a writer has an opportunity to brainstorm. I was listening to the Art Bell radio program (a special about ghosts) when the idea came to me. I was pumped on four cups of McDonald’s coffee, listening to these callers share their real life ghost stories, and it all seemed so sad. |
![]() |
![]() ![]() |
interview by Joe Vaz

I once did a writing exercise with some friends in my writing group, trying to think of motivations that could make an evil character do evil things while knowing they were evil. Power over other people was one, immortality was another, and relief from pain was one I came up with. |
![]() |
![]() ![]() |