{"id":1323,"date":"2011-09-13T03:00:46","date_gmt":"2011-09-13T01:00:46","guid":{"rendered":"http:\/\/www.somethingwicked.co.za\/?p=1323"},"modified":"2012-03-02T14:36:59","modified_gmt":"2012-03-02T12:36:59","slug":"cotton-avicenna-b-iv","status":"publish","type":"post","link":"https:\/\/somethingwicked.co.za\/magazine\/2011\/09\/13\/cotton-avicenna-b-iv\/","title":{"rendered":"Cotton Avicenna B iv"},"content":{"rendered":"<h3 style=\"text-align: center;\">by Paul Marlowe<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-945\" title=\"TitleUnderline\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/06\/TitleUnderline.jpg\" alt=\"\" width=\"350\" height=\"13\" srcset=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/06\/TitleUnderline.jpg 350w, https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/06\/TitleUnderline-300x11.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/h3>\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"5\" width=\"85%\">\n<tbody>\n<tr>\n<td width=\"50%\" align=\"left\" valign=\"top\"><\/td>\n<td style=\"text-align: right;\" width=\"50%\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-1324\" title=\"397px-Gustave_Dore_Inferno1\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/08\/397px-Gustave_Dore_Inferno1-300x166.jpg\" alt=\"\" width=\"300\" height=\"166\" srcset=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/08\/397px-Gustave_Dore_Inferno1-300x166.jpg 300w, https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/08\/397px-Gustave_Dore_Inferno1.jpg 325w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><a href=\"https:\/\/somethingwicked.co.za\/magazines\/something-wicked-issue-12\/\">From Issue 13 (Sept 2011)<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--more--><\/p>\n<p>THE  ALIGHIERI GLOSS<\/p>\n<p>London! Paragon of cities. How many wonders there are, in its villas,  its marketplaces, in its streets and tunnels. London \u2013 this uncommon weal of  fateful miracles, and of horrors that I know only too well. Cheek by jowl a  multitude lie, a thousand-thousand strange tales between them, unknown but for  the chance mis-step into an unfamiliar alleyway \u2013 the passing glimpse along a  half-lit, fog-swathed street. So has it always been in the great cities that  draw in every kind of creature. Those who toil; those who live upon them. The  builders, the wreckers. Town- and country-men. The eager, the wicked, the mad;  and not from this isle alone, but from all the ends of the world. Indeed, not  only from this\u2026 but now, let me see. How to begin.<\/p>\n<p>Rafe \u2013 Dr Maddox \u2013 was leading me upon another tour of the city, the  latest of our annual excursions that began after the bless\u00e8d meeting in Tower  Tunnel. We viewed the palaces; of the Empress, of entertainment, of crystal, of  iron and steam afloat on the Thames, and others among the marvellous  constructions of the age.<\/p>\n<p>Not the <em>Underground<\/em>, of  course.<\/p>\n<p>But no museum, no theatre brought us out that November night to St.  Raphael Square. We went rather to the Etheric Explorers Club, for Rafe was to  stage there a little show of his own. He called it <em>Cotton Avicenna B iv : A Novel Method of Revealing Decayed Calligraphy<\/em>.  Something to do with books, he led me to understand.<\/p>\n<p>Maddox is a great scholar, and much, much more.<\/p>\n<p>Until the lamps were lowered, members and guests of that club had eyes  only for myself, in my veil and mourning, try as they did to pretend otherwise.  It was no surprise, as no other women were in attendance. None, at least, of  which they were aware. For my part, I watched Rafe. It was strange that his was  no longer a young man\u2019s face. He introduced me as his <em>niece!<\/em><\/p>\n<p>A magic lantern, he called it,  this thing he used. Not <em>true <\/em>magic,  he took pains to assure me, but rather a bright lamp and glasses that cast  images over the wall. Images of writing. Magic, apparently, is no longer  considered quite in good taste in this day and age; spirits are another matter.<\/p>\n<p>\u201cHere we see a photographic slide made using the red portion of the  spectrum\u2026 and here the green\u2026\u201d he explained, switching between images which  were, according to Rafe, slightly different.<\/p>\n<p>A fat man across the table from me cleared his throat. \u201cThis mottling.  It\u2019s due to the fire?\u201d<\/p>\n<p>Rafe paused. \u201cNo, not fire, Morrison. Damp. It\u2019s not widely known, but  an ancestor of mine received the Avicenna manuscripts from Cotton\u2019s collection,  in exchange for some debt or other \u2013 this was before the fire occurred. Also  the eponymous bust. This particular volume,\u201d he said, touching a brown and  scarred codex before him on the table, \u201cis apparently an anthology of  geographical works, collected in Arabic. I\u2019ve yet to have it translated. It is  the legibility of these glosses,\u201d he said, indicating the luminous scribbles  with a stick, \u201cin Medieval Tuscan, which I have been endeavouring to improve  with my technique. It was only some years after the collection was split that  the Ashburnham House fire occurred. I\u2019m afraid that, since those days, my family  has not always been conscientious in its care of the Avicenna manuscripts.\u201d<\/p>\n<p>How typical it is of these obtuse, modern people, to deny the existence  of fate and mystery to such an extent that they would consign a treasure trove  of priceless books to a house with the inauspicious name <em>Ashburnham<\/em>. What did they expect would  happen? Children, the lot of them. It\u2019s what comes of allowing immigrants to  take over the country \u2013 these Jutes, and Angles, and sundry Saxons. The Norse  men, and all the rest. No regard for the workings of fortune, any of them. No  sense. At least Maddox is a scion of the true Britains, whatever else may be  mixed into his blood.<\/p>\n<p>We came, betimes, to the end of the talk. Rafe was attempting to  disengage himself from an associate with a brass machine and the maniacal look  of the enthusiastic inventor \u2013 a look with which I have become very familiar  after several visits to this club\u2013 when the footman entered, bearing a card on  a salver. He resembled a sad and dissipated legionary, this footman, and  something about his silent, looming bulk made the inventor\u2019s gabbling tail  away.<\/p>\n<p>\u201cMessenger for you, Dr Maddox.\u201d<\/p>\n<p>Rafe took the card and examined it with slight interest.<\/p>\n<p>\u201cHis master is waiting, Billingsly?\u201d<\/p>\n<p>\u201cThere is a carriage at the door, sir.\u201d<\/p>\n<p>Rafe nodded. \u201cPack away my slides and projector, would you, Billingsly?\u201d  Taking Rafe\u2019s proffered arm, I accompanied him towards the doorman\u2019s nook,  where a strange man in a colourful coat and short trousers stood. He did not  look English, or even British.<\/p>\n<p>The man bowed with sullen care. He wore an absurd white wig that was on  the verge of tumbling off. A long queue of his own black hair ran down his  back.<\/p>\n<p>\u201cLord Mo Gui deeply regrets his being unable to attend tonight\u2019s  lecture,\u201d said the man, thickly pronouncing the words with the same careful  deliberateness with which he managed his wig. \u201cLord Mo Gui sends his carriage,  and invites you to kindly do him the honour of accepting his hospitality this  evening, to discuss certain facts concerning the\u2026\u201d The man hesitated, dropping  his eyes to the book tucked beneath Rafe\u2019s arm before enunciating \u201cthe Cotton  Avicenna B iv.\u201d<\/p>\n<p>\u201cHow curious,\u201d said Rafe. \u201cA student of ancient manuscripts, is he?\u201d<\/p>\n<p>\u201cThe master has special knowledge of it.\u201d He looked again to the book,  though whether in questioning or covetousness I could not judge.<\/p>\n<p>Rafe turned to me. \u201cIf you have no objection?\u201d<\/p>\n<p>I shook my veil.<\/p>\n<p>Outside, the night street was alive with clattering wheels and iron-shod  hooves. Foot-travellers surfaced in ones and twos at the gaslights, then sank  back into the river of shadow.<\/p>\n<p>\u201cWhitechapel Slaying!\u201d  keened a child on the pavement, a bundle of papers piled in his arms. \u201cVigilence Committee Baffled!\u201d<\/p>\n<p>They can shout in square capitals, these modern Londoners.<\/p>\n<p>As though overcome by his own eloquence, the boy\u2019s eyes fluttered, then  rolled away, white, into his head. He tipped back in a rigid fit, nearly  striking the pavement before Rafe caught him.<\/p>\n<p>I watched, appalled. \u201cCome away, Rafe! This is a black omen!\u201d<\/p>\n<p>My attention flew from the boy to the far street corner. A gaslamp had  winked out. A couple, tall, fair, in dark cloaks rounded the turn.<\/p>\n<p>\u201cRafe\u2026\u201d<\/p>\n<p>But he never heeds me. Instead, he carried the boy, with difficulty now  the seizure was in full force, to the bland footman who still stood in the open  club doorway.<\/p>\n<p>The next streetlight died as the pair advanced. A hack-horse near the  pavement lurched madly away from them into the traffic, hooves slipping, the  cabman screaming.<\/p>\n<p>\u201cRafe, we must go now.\u201d<\/p>\n<p>\u201cI can\u2019t stay, Billingsly,\u201d said Rafe, passing the shaking boy to him.<\/p>\n<p>I sometimes wonder if that footman would so much as blink if one of the  members plucked the Moon from the air and handed it to him for safekeeping.<\/p>\n<p>\u201cGet some brandy into him when he comes \u2018round. And give him this,\u201d said  Rafe, depositing a couple of half crowns into the footman\u2019s pocket.<\/p>\n<p>\u201cQuickly,\u201d the gaudy messenger urged.<\/p>\n<p>At the waiting carriage, Rafe assisted me inside while the messenger  mounted hastily in front. Setting off into traffic, I touched the smooth window  glass that showed the lighted street so agreeably even as it barred the smoke,  and noise, and smell. The fair couple had stopped at the club doors, a row of  dead lamps in their wake. They were watching us accelerate away. Rafe seemed  not to have seen them in his preoccupation with the newsboy.<\/p>\n<p>\u201cThat lad was ill-starred,\u201d I said. \u201cYou too often involve yourself in  the affairs of others.\u201d<\/p>\n<p>He turned to me from his own window. \u201cThere is only one affair, Brenna,  and we are all involved.\u201d<\/p>\n<p>I suppose it is his religion that makes him do these inscrutable things.  There being no purpose in probing strange beliefs, I went instead to  practicalities.<\/p>\n<p>\u201cYou\u2019re certain,\u201d I said, \u201cthat your <em>wife<\/em> does not object? To entertaining me?\u201d<\/p>\n<p>\u201cViolet understands. She\u2019s a very modern woman.\u201d<\/p>\n<p>I drew back my veil, to see the street-life the better. \u201cNot like me,  then.\u201d<\/p>\n<p>Rafe\u2019s appraising eye fell upon me. \u201cNo,\u201d he said after a moment. \u201cNot  like you.\u201d<\/p>\n<p>The book was on his lap now. He stroked the scarred leather. \u201cOdd,\u201d he  said, his voice lower now. \u201cThat Chinaman, in knee-breeches and livery. One  doesn\u2019t see that much on anyone outside of court, much less on Chinamen.\u201d<\/p>\n<p>He lapsed into introspection. For my part, my mouth was soon stopped  with awe of the city. So many passing faces, such shops and homes of brick and  stone. Somewhere, the quarries and clay-pits must be dug down to the underworld  to raise such a city. A vast, empty, anti-London. There is always a price.  Always balance.<\/p>\n<p>\u201cI don\u2019t like the look of those columbia,\u201d I said, observing a ring of  birds perched in a noose around a statue\u2019s neck.<\/p>\n<p>Rafe sniffed.<\/p>\n<p>\u201cIf we don\u2019t heed the signs, Rafe, we will fail to see what is in store  for us. Like that one-eyed crossing-sweeper we saw crushed under the cab.\u201d<\/p>\n<p>\u201cWhat was <em>he<\/em> a sign of?\u201d<\/p>\n<p>\u201cOf inattention.\u201d<\/p>\n<p>Rafe drummed his fingers on the book.<\/p>\n<p>\u201cBrenna, I know I\u2019ve  sometimes asked before, but\u2026\u201d<\/p>\n<p>\u201cYou\u2019re wondering what it is like.\u201d<\/p>\n<p>\u201cThere.\u201d<\/p>\n<p>As with each time before, it was like grasping water.<\/p>\n<p>\u201cLike a dream. It slips away.\u201d<\/p>\n<p>\u201cIs there nothing? No way to compare it with\u2026\u201d<\/p>\n<p>\u201cIt is better.\u201d<\/p>\n<p>After a time, Rafe grew restless in the silence, frowning and squinting  out the windows. Finally he examined the card once more. \u201cThis isn\u2019t the way to  Finsbury Square.\u201d<\/p>\n<p>\u201cIs it not? Look, there is The Tower.\u201d It had been my first sight of  London. <em>This<\/em> London. An awesome  sight.<\/p>\n<p>\u201cWe\u2019re continuing eastward.\u201d<\/p>\n<p>We passed streets that Rafe named, but which meant nothing to me.  Houndsditch. Aldgate. Onto Whitechapel.<\/p>\n<p>\u201cAldgate? Is that one of the wall gates?\u201d<\/p>\n<p>\u201cIt was.\u201d<\/p>\n<p>\u201cI remember the gates. Is there\u2026?\u201d I felt something. \u201cA great pit of  bones.\u201d<\/p>\n<p>The suggestion slitted Rafe\u2019s eyes. Presently we left the street,  turning into a tunnel-like carriageway, the close gloom sending shudders  through me even as we emerged into a black-shadowed courtyard at the heart of  an insula. Gates crashed together behind us in the alley, sealing the yard like  a sepulchre\u2026or columbarium.<\/p>\n<p>Stopping, the carriage rocked as someone stepped from it onto crunching  road-metal. The man in livery, a lantern in hand, released us.<\/p>\n<p>\u201cThis way, sir, madam.\u201d<\/p>\n<p>Rafe stepped down and assisted my exit. I took his arm once more and we  fell into step with the lamp-bearer, passing into the house\u2019s dark corridors.  Rafe\u2019s features pinched up in repugnance at the place. He hates the close dark.  All smell is disease, they say, and all darkness evil. They are correct.<\/p>\n<p>Finally, deep inside the edifice, the Chinaman knocked upon a scarred  door, black with soot or paint. From within there issued a growling reply. \u201cCome.\u201d<\/p>\n<p>We were led into the fire-lit room, long and lively with shadows that  hid much of the place, and sat in a pair of padded chairs near the middle of  the chamber, facing a third at the far end where there was a great hearth. Logs  of immense proportions blazed, crackling with a life so much more alluring than  the stingy smoulder of coal grates. I ached to be near the flames, to be warm;  even my veil, closed again, bent towards them, drawn by the fierce draught. But  the way was blocked. A silhouette, rimmed in fire. A vast wing-chair, its back  to the hearth; a large man was installed there, hidden in the lea of the chair.<\/p>\n<p>\u201cWelcome, Doctor Maddox,\u201d said the man, in a low voice, gravely, like a  stone wall collapsing. \u201cAnd guest.\u201d<\/p>\n<p>Rafe leant forward, peering into the shade of the wing-chair. \u201cYour  Finsbury Square calling card address is a little out of date, Mr Hamilton. Or  is it <em>Lord Mo Gui<\/em>?\u201d<\/p>\n<p>\u201cThat is what <em>they<\/em> call  me,\u201d said the man, lifting a great hand from his chair in the direction of  whatever dark corner his servant had retired to. \u201cSomething in their tongue. I  am Jock Hamilton, as my card states. Or <em>Jack<\/em>,  as you English prefer.\u201d Rafe seemed about to comment when the man broke his  pause. \u201cI knew your grandsire, Maddox.\u201d A hacking rattle interrupted Hamilton.  \u201cAnd some of his little friends. The Athenians.\u201d<\/p>\n<p>\u201cDid you know that he still lives?\u201d<\/p>\n<p>\u201cDoes he, by gad? I expect he has changed a good deal in fifty-eight  years. I know I have. Not so much <em>spring<\/em> in my heels as there was.\u201d Another rattle.<\/p>\n<p>Hamilton clapped his huge hands, a sound like a falling body striking  cobbles. In reply, a new servant appeared. \u201cPipe,\u201d ordered Hamilton. One was  produced, and Hamilton drew through it the flame of a spill lit from the fire.  He snuffed out the stick with his fingers and began a rhythmic tapping on the  arm of his chair, the spill chattering like teeth against the furniture. But it  was not the spill \u2013 he had dropped that. His nails made the noise. Of scuttling  crabs.<\/p>\n<p>A cataract of smoke spewed from the hidden old man, over the chair back  and into the draught heading for the chimney, but a little of the reek of it  reached us.<\/p>\n<p>\u201cIt surprises me,\u201d said Rafe, \u201cthat you have lived this long, taking  opium.\u201d<\/p>\n<p>\u201c<em>Madak<\/em>, rather, if you  will allow me the nicety. But a man of your, ah, reputation, should not suffer  to be surprised so easily.\u201d<\/p>\n<p>As Rafe retreated back into his chair, considering this, he shifted his  book from one hand to the other, bringing it momentarily into the firelight.  Old Hamilton fell suddenly still, his nail-clatter silenced.<\/p>\n<p>\u201cIs that it? The Cotton Avicenna B iv?\u201d<\/p>\n<p>Rafe hesitated. \u201cIt is.\u201d<\/p>\n<p>Hamilton twitched a finger. Behind us, bolts were slammed home on the  doors.<\/p>\n<p>\u201cGive it to me,\u201d growled Hamilton.<\/p>\n<p>\u201cWhat claim do you, sir, have\u2026\u201d protested Rafe, stopping as another  gesture from Hamilton brought his pair of servants slinking back into our  circle of light. Rafe remaining impassive, the liveried men advancing upon him,  only at the last moment drawing long knives from beneath their embroidered  coats.<\/p>\n<p>Who can say whence comes strength on these occasions? The courage to  carry on when violence bares its dreadful teeth? I cannot, though I have had  occasion to regret past failures in the face of violence, failures that have  long troubled me in the, the\u2026 <em>leisure<\/em> that I have been afforded. Perhaps it was those regrets, and the desire to see  them never repeated, which set me suddenly on my feet, my chair tumbling away  behind me along with my veil. Those memories, propelling my left hand to the  liveried messenger\u2019s wrist, crushing it like a reed, the dagger dropping to  clatter on the floorboards. That resolve, driving my right fingers like  porcelain blades through his neck before his shock from his broken bones had  even turned to pain.<\/p>\n<p>We were statues in the firelight, motionless but for the hot, sanguine  cascade from the throat of the messenger, suspended limply now from my upraised  arm, as if we two were the centrepiece of some terrible fountain.<\/p>\n<p>In the stillness, the clacking of Old Hamilton\u2019s nails began again.<\/p>\n<p>\u201cWell,\u201d he said. \u201cWell, well.\u201d<\/p>\n<p>I was more concerned with the other servant, watching, his knife  hovering uncertainly between Rafe and me. I let the messenger slip away into  the dark pool at his feet.<\/p>\n<p>Hamilton\u2019s clattering ceased. He shifted. I looked to the servant, waiting  for his response to Hamilton\u2019s cue. Then, the old man leapt. Leapt! The ancient  consumptive launched like a bolt from his chair, landing just short of me. He  seemed exhausted by the effort, hunched, froglike on the floor, panting.  Hamilton\u2019s face pressed the floorboards, prostrate in obeisance to\u2026what? His  pale, coarse jaws worked, as if mumbling supplications.<\/p>\n<p>He lapped\u2026blood. The messenger\u2019s warm blood.<\/p>\n<p>The other Chinaman stared from me to Hamilton, a great shudder racking  his body as he understood what his master did. Eyes wild, he dropped his dagger  and ran for the door, fumbling impotently with the bolts for so long I thought  he must be mad. At last he worked the lock and was gone.<\/p>\n<p>Hamilton took no notice.<\/p>\n<p>I looked to Rafe. His face was set, thoughtful, watching the creature at  our feet. Amid its slubbering, Rafe stretched out his legs, crossed his ankles,  and inserted a pipe between his lips.<\/p>\n<p>Even at a moment such as this\u2026 This is an age of fire. The very people  smoke.<\/p>\n<p>Stuffed with tobacco, the pipe flared at the touch of a match, which  Rafe tossed, sizzling into the puddle of gore.<\/p>\n<p>\u201cHamilton!\u201d barked Rafe.<\/p>\n<p>The awful lapping slowed. Hamilton\u2019s head turned up, jowls crimson and  oozing. Only now did we properly see his huge face. Swollen\u2026 hairless.  Cadaverous.<\/p>\n<p>\u201cPull yourself together, man,\u201d said Rafe. He waggled his pipe. \u201cHave a  smoke.\u201d<\/p>\n<p>The\u2026 Hamilton looked about as if waking in strange chambers. His thick  tongue darted out again to run along his lips. Straightening, he averted his  eyes from Rafe, and from the messenger\u2019s jumbled body. He delved into a pocket,  producing a handkerchief, wiping ineffectually at his face.<\/p>\n<p>\u201cForgive me, I\u2026 yes. A pipe,\u201d rumbled Hamilton. He threw away the soiled  handkerchief and crossed to the doors, shutting and barring them once more,  before leading us to carry our chairs over to the hearth. \u201cAway from that,\u201d he  said, a talonned hand twitching towards the body.<\/p>\n<p>Once settled, Hamilton breathed a thin blue flame into the pipe to light  the tobacco and opium, examining me the while.<\/p>\n<p>\u201cNow listen to me, Maddox. There may not be much time. You must give me  that book at once.\u201d<\/p>\n<p>Rafe\u2019s extraction of his pipe to protest was in vain.<\/p>\n<p>\u201cI know\u2026\u201d Hamilton continued, \u201cI am a thing to be despised. I despise  myself. But the noose and the knife make no impression upon this hide of mine.  Do not imagine that I\u2019ve not tried, at times, in despair.\u201d<\/p>\n<p>His gaze suggested that he wondered at the efficacy of my hands.<\/p>\n<p>\u201cBut why in heaven\u2019s name do you\u2026\u201d Rafe began.<\/p>\n<p>\u201cThe book. I know it. And curse it. For your own soul, and mine, and  souls yet unborn, give it to me!\u201d<\/p>\n<p>\u201cWhy?\u201d<\/p>\n<p>Hamilton\u2019s features, already dreadful, assumed a vicious anger before he  mastered his hate and groaned. Taking smoke from his pipe to steady himself, he  growled on.<\/p>\n<p>\u201cWe were mad for ancient things in those days. I understand your  generation has surpassed the ancients in wonders. You look to the future. But  then, it was ruins that caught the fancy of the young. Greece. Rome. The tombs  of pharaohs. And old books\u2026 that book. Damn that book!\u201d<\/p>\n<p>\u201cNot a classical work,\u201d Maddox interjected, \u201cis it? Something Arabic.\u201d<\/p>\n<p>\u201cThe glosses, fourteenth century. The text, oh, eighth century, perhaps.  But the substance of it, Maddox. Far older.<\/p>\n<p>\u201cIt was 1829 when I found it in your Grandfather\u2019s library. Borrowed it.  Took it on my tour of Italy and the new Greek kingdom, or rather the relics  they inherited. Had some notion of getting it translated in Stamboul. Until I  met a Copt in Venice, a monk, who knew the language. He deciphered it.\u201d Hamilton  seemed to stare away into infinity, or the distant past. \u201cThen I tried to go  through Delphi, but couldn\u2019t find the way. But there was another route. Near  Parga. That was my first mistake.\u201d Again the old man rattled and coughed,  unless it was laughter. Or a sob. \u201cYou\u2019ve read the Italian, Maddox.\u201d<\/p>\n<p>\u201cThe glosses, yes. Directions. Landmarks. Warnings. Is it an itinerary  of some sort?\u201d<\/p>\n<p>\u201cOf a sort. I compared them with a manuscript, now, alas, lost. They are  directions, as you say. To, and through, a place with many entrances, few  exits. There, I spent my life, and became\u2026this. Those glosses are in the hand  of Dante Alighieri.\u201d Hamilton flung his pipe into the hearth. \u201cFor pity\u2019s sake,  Maddox, give me the book!\u201d<\/p>\n<p>Rafe had already abandoned his own tobacco. \u201cHow many others have you  sent there, <em>Jack<\/em>?\u201d<\/p>\n<p>A smirk disfigured the creature\u2019s face before Hamilton returned, in a  melancholy I could well recognize. \u201cI was not always thus, Maddox. It changes  one. How could it not, fifty, sixty years in such a place. Even the body  adapts, as much as flesh may,\u201d he said, examining his great clawed hands, \u201cas  Lamark thought.\u201d<\/p>\n<p>\u201cWhat is the main text, Hamilton?\u201d demanded Rafe.<\/p>\n<p>\u201cThe Orphic Mysteries, Maddox. The only surviving record. It is a guide  to Hell.\u201d<\/p>\n<p>We watched the fire, each guarding his own thoughts, until Rafe spoke  again.<\/p>\n<p>\u201cBut why do you need the book? Surely\u2026\u201d<\/p>\n<p>Another groan, or sigh, wheezed out of Hamilton\u2019s bulk.<\/p>\n<p>\u201cI had no Virgil as guide, I was cheated, robbed, misled, and cruelly  used from my first step. Only because I still live, after a fashion, may I come  and go at all, for a few hours, or days, each year. There are tides in the  affairs of men \u2013 isn\u2019t that said? So with the realms of the damned. Now weak,  now strong, they ebb and swell with influence. Here, there, one foot in sun,  one among the shades,\u201d Hamilton said, rattling again, \u201cI feel every wax and  wane.\u201d I stood as the old man reached out to seize Rafe\u2019s arm, but Rafe shook  his head. \u201cI swim against the current, Maddox,\u201d said Hamilton, \u201cbut it gets the  better of me. For the love of God, believe me Maddox, I never meant to kill  those women! But the appetites of that place\u2026 fifty years of hunger, man! There  is no meat there, but others\u2019 souls. I would never have kept returning here,  but for the book! The book.\u201d Hamilton fell to his knees before Rafe. \u201cGive me  the chance to find a way to Purgatory!\u201d<\/p>\n<p>Distantly, as though from the street or some remote corner of the house,  a desperate cry sounded, just as abruptly cut off. Hamilton turned wildly to  the doors.<\/p>\n<p>\u201cThey\u2019ve come, man. They\u2019ve come for me. From <em>there<\/em>.\u201d<\/p>\n<p>\u201cSurely it was just\u2026 you mean they <em>follow  you<\/em>?\u201d Rafe stood, shaking off Hamilton\u2019s clutching nails at the  expense of his sleeve to take a few hesitant steps towards the doors. One of  the knobs turned, and rattled. I rose, Hamilton hopelessly following suit.<\/p>\n<p>A great force struck the doors, splintering the wood in places. Rafe  strode to them, with me on his heels, the next blow loosing a hinge. He was  nearly upon them when the third attack burst the bolts, flinging wood and  ironmongery past us, across the room, to where Hamilton cringed by the fire.<\/p>\n<p>Filling the passage left by the doors, the fair couple, in their black  cloaks. They stirred, as if to enter, then kept their place. One inclined her  head. She regarded me, then Maddox.<\/p>\n<p>\u201cMove aside. We want <em>him<\/em>.\u201d  She pointed past us.<\/p>\n<p>\u201cI will not,\u201d said Rafe.<\/p>\n<p>The other spoke. \u201cThis is not your affair\u2026 man.\u201d<\/p>\n<p>Rafe took a step closer to the pair. \u201cDo you know who I am?\u201d<\/p>\n<p>The two said nothing, but looked briefly to each other.<\/p>\n<p>\u201cI will not grant you,\u201d said Rafe, \u201cwhat I denied to <em>Him<\/em>. You shall not enter this place.\u201d<\/p>\n<p>The couple watched him in silence, making no move to advance or retreat.  Maddox fixed them with his eye.<\/p>\n<p>\u201cBrenna,\u201d he said, holding out the book without releasing the couple  from his gaze, \u201cgive this to Mr Hamilton. That he might never return to  London.\u201d<\/p>\n<p>Rafe was shivering as if freezing. I hurried to Hamilton, who seemed  himself transfixed by the couple\u2019s gaze.<\/p>\n<p>\u201cTake it and go,\u201d I said. \u201cquickly. And redeem yourself, if you can, in  whatever way your religion deems right. For <em>his<\/em> sake,\u201d I added, indicating Rafe, \u201cif for no other reason. He must believe it  possible.\u201d<\/p>\n<p>Hamilton nodded. \u201cIt\u2019s better this book leaves the world. Forever.\u201d  Clasping the manuscript to him, he moved closer to the fire.<\/p>\n<p>\u201cOne last thing,\u201d Rafe said, not turning his head. \u201cWas it worth it, the  suffering? To satisfy your curiosity? Your pride? To know\u2026?\u201d<\/p>\n<p>The old man looked to me, then the hearth-stones. He made a strangled  sound. \u201cThere was someone. Who died. She was\u2026 precious to me.\u201d<\/p>\n<p>Rafe said nothing for a long moment. \u201cAnd did you find her?\u201d<\/p>\n<p>Hamilton shook his head. \u201cNot yet.\u201d<\/p>\n<p>He took another step closer to the fire, nodded to me, and walked into  the flames, springing instantly up the vast chimney.<\/p>\n<p>At the doors, the couple inclined their perfect heads as if to bid Rafe <em>adieu<\/em>, or something else, until they  should meet again. And they were gone.<\/p>\n<p>Rafe remained, shaking. I guided him to one of the chairs by the hearth,  and after searching in the dark corners of the room found a little <em>uisce<\/em> in a decanter, to calm him.<\/p>\n<p>We sat while the logs burned low, and turned to embers, until at last  Rafe seem to return from wherever he had gone.<\/p>\n<p>\u201c<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1326\" title=\"Zetein. Anakaluptein. Nostein\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/08\/motto4.jpg\" alt=\"Zetein. Anakaluptein. Nostein\" width=\"233\" height=\"16\" srcset=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/08\/motto4.jpg 320w, https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/08\/motto4-300x20.jpg 300w\" sizes=\"auto, (max-width: 233px) 100vw, 233px\" \/>\u201d said Rafe.<\/p>\n<p>\u201cYes?\u201d<\/p>\n<p>\u201cIt\u2019s the motto, of the Etheric Explorers.\u201d<\/p>\n<p>It had been a long time since I had heard any Greek spoken. \u201cTo\u2026 seek,  to discover, to\u2026 return home?\u201d I translated.<\/p>\n<p>\u201cThe older I grow, Brenna, the more the final command speaks to me.\u201d<\/p>\n<p>It was late, and soon I too would have to go back to another place.  There was just a faint glow in the hearth when Rafe turned to me in the dim  light and spoke again.<\/p>\n<p>\u201cHamilton left in, what, 1830?\u201d Rafe elbowed himself up from where he  had sunken into the chair. \u201cHe knows nothing of photography.\u201d<\/p>\n<p>I was about to reply that I knew nothing of it either, until I  remembered his \u2018slides\u2019. Now I worry for Rafe.<\/p>\n<h5 style=\"text-align: center;\">Copyright \u00a9 2011 by Paul Marlowe<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-966\" title=\"blackline\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/blackline1-300x7.jpg\" alt=\"\" width=\"300\" height=\"7\" srcset=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/blackline1-300x7.jpg 300w, https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/blackline1.jpg 325w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/h5>\n<table border=\"0\" cellspacing=\"10\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\" align=\"center\" valign=\"top\"><a href=\"http:\/\/www.somethingwicked.co.za\/products-page\/downloads\/something-wicked-13-september2011\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-953 alignleft\" title=\"PurchaseButton\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/PurchaseButton.png\" alt=\"\" width=\"180\" height=\"24\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"http:\/\/weightlessbooks.com\/format\/magazine\/something-wicked-magazine-12-month-subscription\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-954 alignleft\" title=\"SubsBuyButton\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/SubsBuyButton.png\" alt=\"\" width=\"180\" height=\"24\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[hana-code-insert name=&#8217;ArticleBlockOpen&#8217; \/]<\/p>\n<h2 class=\"art-postheader\" style=\"text-align: left;\"><a href=\"http:\/\/www.somethingwicked.co.za\/authors\/paul-marlowe\/\">Paul Marlowe<\/a><\/h2>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-1099\" title=\"04AuthorPhotoPaulMarlowe\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/04AuthorPhotoPaulMarlowe-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/em><\/p>\n<p><strong>Paul Marlowe<\/strong> lives  in Canada, and since his latest story in <em>Something  Wicked<\/em> contains some religious themes he would like to clear the air  by stating that he is not a practicing member of Canada\u2019s official religion  (Hockey \u2013 or, as some heretics in warmer climates erroneously refer to it, \u2018Ice  Hockey\u2019).<\/p>\n<p>He would also like to  assure the reading public that his latest book, <em>Knights of the Sea: A Grim Tale of Murder, Politics, and Spoon  Addiction<\/em> is every bit as silly as it sounds. And speaking of  sounds, for a taste of the sort of fare you can expect in <em>Knights of the Sea<\/em>, listen to \u201c<a title=\"Episode 5: The Resident Member by Paul Marlowe\" href=\"http:\/\/www.somethingwicked.co.za\/2009\/11\/episode-5-the-resident-member-by-paul-marlowe\/\">The  Resident Member<\/a>\u201d, a radio play of Marlowe\u2019s short story of the same name,  produced by <em>Something Wicked<\/em>, and  available for free download, either on the <em>Something  Wicked<\/em> website, or from Marlowe\u2019s own website at <a href=\"http:\/\/www.paulmarlowe.com\/\" target=\"_blank\">www.PaulMarlowe.com<\/a><\/p>\n<p>[hana-code-insert name=&#8217;ArticleBlockClose&#8217; \/]<\/p>\n","protected":false},"excerpt":{"rendered":"<h3 style=\"text-align: center;\">by Paul Marlowe<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-945\" title=\"TitleUnderline\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/06\/TitleUnderline.jpg\" alt=\"\" width=\"350\" height=\"13\" srcset=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/06\/TitleUnderline.jpg 350w, https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/06\/TitleUnderline-300x11.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/h3>\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"5\" width=\"85%\">\n<tbody>\n<tr>\n<td width=\"75%\" valign=\"top\">\n<p>London! Paragon of cities. How many wonders there are, in its villas,  its marketplaces, in its streets and tunnels. London \u2013 this uncommon weal of  fateful miracles, and of horrors that I know only too well. Cheek by jowl a  multitude lie, a thousand-thousand strange tales between them, unknown but for  the chance mis-step into an unfamiliar alleyway \u2013 the passing glimpse along a  half-lit, fog-swathed street. So has it always been in the great cities that  draw in every kind of creature. Those who toil; those who live upon them. The  builders, the wreckers. Town- and country-men. The eager, the wicked, the mad;  and not from this isle alone, but from all the ends of the world. Indeed, not  only from this\u2026 but now, let me see. How to begin.<\/p>\n<\/td>\n<td style=\"text-align: center;\" align=\"center\"><a href=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/09\/CoverIssue13Kindle.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1282\" title=\"CoverIssue13Kindle\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/09\/CoverIssue13Kindle-225x300.jpg\" alt=\"\" width=\"182\" height=\"241\" \/><\/a><br \/>\n<a href=\"https:\/\/somethingwicked.co.za\/magazines\/something-wicked-issue-13\/\"><span style=\"text-align: left;\">From Issue 13 (Sept 2011)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td width=\"75%\" valign=\"top\"><\/td>\n<td style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.somethingwicked.co.za\/products-page\/downloads\/something-wicked-13-september2011\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-953\" title=\"PurchaseButton\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/PurchaseButton.png\" alt=\"\" width=\"180\" height=\"24\" \/><\/a><a href=\"http:\/\/weightlessbooks.com\/format\/magazine\/something-wicked-magazine-12-month-subscription\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-954\" title=\"SubsBuyButton\" src=\"https:\/\/somethingwicked.co.za\/magazine\/wp-content\/uploads\/2011\/07\/SubsBuyButton.png\" alt=\"\" width=\"180\" height=\"24\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[226,178,111,18],"class_list":["post-1323","post","type-post","status-publish","format-standard","hentry","category-fiction","tag-fiction","tag-horror","tag-issue-13","tag-paul-marlowe"],"_links":{"self":[{"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/posts\/1323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/comments?post=1323"}],"version-history":[{"count":6,"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/posts\/1323\/revisions"}],"predecessor-version":[{"id":2001,"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/posts\/1323\/revisions\/2001"}],"wp:attachment":[{"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/media?parent=1323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/categories?post=1323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/somethingwicked.co.za\/magazine\/wp-json\/wp\/v2\/tags?post=1323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}