by Mark Sykes

Jim: Hi folks, this is Jim Dandy and Chris Mascake welcoming you to the End-of-the-World Supreme Devil Face-Off, here at the Arena of Doom, just a few minutes drive out of Bloemfontein. It’s the End Times, and the day has come to decide which actor best portrayed the Devil in cinema and TV in the last hundred years. These are the final few, who have all come through the initials heats to battle it out in their respective teams today. We’ve a great assortment of Lucifers and Satans, and a handful of portrayals that are somewhat open to interpretation.

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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interview by Joe Vaz

I had the initial story concept bouncing around for awhile and I wanted to experiment with a story written in a severely limited format. So the concept was married to a single short letter and accompanying incomplete court transcriptions.

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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by Ivor W. Hartmann

John James Rote was a forgettable, quiet man. Later, when people had occasion to talk about him, at the very least they could all agree on that. He was the kind of man that was never, affectionately or otherwise, nicknamed. As a schoolchild, he was the one they always put in the outfield, or on the far boundary. There he would idle away the game by staring at passing clouds, or watching the progress of a nearby ants’ nest. His grades were never bad but never great either..

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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Cover Art by Pierre Smit

Pierre Smit

just imagine a guy drawing it, loving it, doubting it, frustrated, finishing it, liking it, but eyeing it suspiciously for unseen errors and hindsights and for trees instead of forests..

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by Joe Vaz

We have some awesome fiction for you this month, starting off on the 4th of August with "The Devil’s Advocate" by Ivor W. Hartmann. This is followed on the 11th of August with "Happiest Amongst Mortals" by Glen Damien Campbell. On the 18th we have "No Longer Alone" by Brian Kirk. And we close off the issue on the 25th of August with a novelette by M. Scott Carter about "The Bayside Incident".

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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interview by Joe Vaz

I was interested in the idea of making a murder mystery that crossed the boundary between physical reality and virtual reality, and came up with the plot of "Alpha & Omega". The title, I hope, works in a number of different ways. McHaffey being a priest as well as a policeman, there are some obvious religious connotations.

Cover Art by 

Vincent Sammy From Issue 11 (July 2011)
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by Paul Marlowe

“May cause disorientation and transient emotional anomalies… do not use in combination with other nanopharmaceuticals… consult a physician before use…. Harmless, was that what she called this stuff?”

McHaffey sighed and tilted back his head. He hated putting things into his eyes, but there didn’t seem to be any choice.

Cover Art by 

Vincent Sammy From Issue 11 (July 2011)
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interview by Joe Vaz

We didn't really know each other, we're completely different people. So we thought we'd do a zombie versus vampire book. And then [Louis] took me to this mall and I was just so scared, it was horrible, I had a panic attack, and we thought fuck the zombies and the vampires, lets set it in a shopping mall.

Cover Art by 

Vincent Sammy From Issue 11 (July 2011)
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interview by Joe Vaz

I've written about 8 short stories set in that world, which is really a medieval, zoomorphized (I borrowed that word from a critic), slightly steam-punkish fantasy city. There's not exactly magic in play, but there are plenty of surreal things going on, lots of dark and chaotic mystery, with deep and vast undercurrents of mythic legend bubbling underneath.

Cover Art by 

Vincent Sammy From Issue 11 (July 2011)
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by Michael John Grist

The Sky Painter lived on the mountain and painted the sky. He painted it blue for blue skies, and white and grey for clouds. At night he painted it black, with white for all the stars. When the sun rose he dashed its arcing yellow lines across the heavens, and as it sank he brushed it orange and gold over the horizon.

Cover Art by 

Vincent Sammy From Issue 11 (July 2011)
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