by Tom Jolly

The interesting difference between doctors and scientists is that scientists often ignore the potentially deadly repercussions of their activities, so immersed are they in their work that they fail to see all the dark applications of it. If people die, it's not their fault. As long as your motives are pure, no blame can be laid at your doorstep.

From Issue 16 (Dec 2011)
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interview by Joe Vaz

I'd love a temporary job in space, but I don't think I could live without walking in the woods. Like Dan, I think I'd miss things like cockroaches. Well, maybe not cockroaches, but certainly spiders' webs and moss and birdsong.

From Issue 16 (Dec 2011)
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by Sheila Crosby

Dan said, "All the bigger asteroids are tracked by the computer, but there's zillions of tiny ones too. One's heading our way." After five months here, getting into his spacesuit was simple. The trick was to get one foot firmly fastened into the suit before you took the other out of its metal-soled shoe. If you didn't, you found yourself floating weightlessly around the airlock, magnetic floor or no magnetic floor.

From Issue 16 (Dec 2011)
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by Mark Sykes

CHRISTMAS IS HERE, FOLKS, and as usual, we have a huge amount of largely unusable dross out there in the shops to get for our friends and family. One thing that proliferates more than anything else around this time is literature, and I use the word in its loosest sense. The bookshelves at CNA, WH Smith and Barnes & Noble (depending on which corner of the globe you’re in) annually groan under the weight of the offerings brought out by celebrity chefs, TV presenters, actors, musicians, models, fame whores, soap stars, designers, comedians and sometimes, writers.

From Issue 16 (Dec 2011)
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interview by Joe Vaz

I believe "God of Light" was one of several stories that came out of my desire to show my Lit professors (some who told me that writing SFF was a sure way not to get an A in their classes) that SFF was as good as literary fiction and revealed humanity just as well. I received A's in every class, so I think I made my point.

From Issue 16 (Dec 2011)
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by Domyelle Rhyse

Ilkyia watched the starship arc upward, a brilliant star in the pre-dawn sky. She was fascinated by the ships of the dead, despite being only six years old. Three-year-old Reyna tugged at her hand, curious about everything but the ship above them. Their parents huddled protectively around them, keeping them close. Even though sparks of brilliant fire lit the entire city, Ilkyia imagined she knew exactly which one held her older sister.

From Issue 16 (Dec 2011)
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Cover Art by Pierre Smit

Pierre Smit

one of my personal favourites, i always felt, were my drawings for "The Block," back in um..SW#03..or the one for "Deadfellas" in SW#09.. but now it probably has to be 'ANNA NIEMAND" (to cite someone else's title for it), i did for the cover of SW#12..
i think she came out damn sexy.. (it's all her though, not me..:)

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by Joe Vaz

Our first story for the month, (available on the 6th of Dec) is “God of Light”, by Domyelle Rhyse, in which a young girl attempts a last minute escape from a ritual ceremony. “Breathing Space” by Sheila Crosby (out 13th Dec), is our novelette for the month, a hard SF piece set on a mining vessel.

Next up (on the 20th of Dec) is our end-of-the-world piece for the month, “Pulse”, by Tom Jolly and we close of the issue, and the year, (on the 27th of Dec) with our cover story, a poignant look at how the other half live, in “Six Feet Above”, by Cate Gardner.

As promised, our feature interview this month is with the baddest-ass Mexi-Can ever, Mr. Danny Trejo.
Our book review this month is a year-end review of some of our story-editor, Vianne Venter's, favourite reads for the year with particular focus on Justin Cronin’s The Passage and Warm Bodies by Isaac Marion.

From Issue 16 (Dec 2011)
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by SL Grey

THE OTHER DAY AT a literary festival event (one of the rare occasions when both halves of S.L. Grey have been trundled out in public in the same room) the panel was asked whether South Africa should have its own genre imprint. The audience was made up of some of South Africa’s very loyal SFFH fans, and we think they expected the answer, ‘Yes, of course, it’s a scandal that there isn’t a dedicated genre imprint in South Africa.’

From Issue 15 (Nov 2011)
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interview by Joe Vaz

I like to write about cliché things, only do something opposite to the nature of the concept.

From Issue 15 (Nov 2011)
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