Posts Tagged ‘Joe Vaz’
interview by Joe Vaz

I once did a writing exercise with some friends in my writing group, trying to think of motivations that could make an evil character do evil things while knowing they were evil. Power over other people was one, immortality was another, and relief from pain was one I came up with. |
From Issue 14 (Oct 2011) |
interview by Joe Vaz

It was one of the rare stories that came to me instantly, all at once, in a lightning bolt containing the plot, characters, world, and moral. Someone else wrote it, I think, and I simply downloaded it from their consciousness, in a kind of psychic plagiarism. |
From Issue 14 (Oct 2011) |
by Joe Vaz

Our Oct 2011 issue is once again packed with original fiction starting with our cover story which will be available from 4th of October, beautifully illustrated by Hendrik Gericke, “The Treasons”, by A.A. Garrison which is about a father and son road trip across a desolate land. |
From Issue 14 (Oct 2011) |
interview by Joe Vaz

Damien Filer’s stories and poems have appeared in dozens of books and magazines. His short story collection From Blood to Water includes stories recognized in the Year’s Best Fantasy & Horror and recommended for the Nebula award. Filer is a grant recipient from the California Institute of Contemporary Arts and a graduate of the Clarion Writer’s Workshop. |
From Issue 13 (Sept 2011) |
interview by Joe Vaz

I panicked when Henrietta Rose-Innes released her excellent collection, ‘Homing’. I felt that if I didn’t get these guys down soon, then someone else was going to nab them. South Africa is rich that way, a repository of tall tales that haven’t been completely told. The loopholes are still many and varied. But they’re getting closed up as writers realise where they are. |
From Issue 13 (Sept 2011) |
review by Joe Vaz

| Published by Umuzi PB 144 pages RRP R150 (Kindle £1.49) The furniture is made for children. The parents I need to see are the ones who never come. Most of them are overly interested, clutching their handbags. 'Mister September,' they say, making my title - a common one on the Flats - sound like a caption from a calendar. Or, if they are men, are stepfathers, mustached and overbearing, smelling of the aftershave that announces them. They show their teeth and say, in a joke that is not a joke, 'You teachers. You have such nice lives. All those school holidays.' |
From Issue 13 (Sept 2011) |
interview by Joe Vaz

I didn’t set out to write a comedy, but my narrator — twitchy, hapless sort that he was— turned up with a cosmic “kick me” signed pinned to his back. I decided to let him do the talking. |
From Issue 13 (Sept 2011) |
interview by Joe Vaz

I often forget exactly what inspired a story, probably because it's usually a convergence of several things. Or sometimes because of a lack of sleep. (See question 2.) One thing that contributed to it was a realization that Rafe's timeline was going to coincide with the Jack the Ripper murders. |
From Issue 13 (Sept 2011) |
interview by Joe Vaz

I was thinking about The Crucible, by Arthur Miller, which is one of those plays we all read in high school, and this image popped into my head. A beautiful girl (Abigail Williams) with a wicked smile, just walking down the middle of the street in 17th century Salem, and behind her, the town burns. |
From Issue 13 (Sept 2011) |
by Joe Vaz

All four of this issue’s stories are never-before-published original fiction. |
From Issue 13 (Sept 2011) |

