Posts Tagged ‘Interview’

interview by Joe Vaz

It was one of the rare stories that came to me instantly, all at once, in a lightning bolt containing the plot, characters, world, and moral. Someone else wrote it, I think, and I simply downloaded it from their consciousness, in a kind of psychic plagiarism.

From Issue 14 (Oct 2011)
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interview by Joe Vaz

Damien Filer’s stories and poems have appeared in dozens of books and magazines. His short story collection From Blood to Water includes stories recognized in the Year’s Best Fantasy & Horror and recommended for the Nebula award. Filer is a grant recipient from the California Institute of Contemporary Arts and a graduate of the Clarion Writer’s Workshop.

From Issue 13 (Sept 2011)
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interview by Joe Vaz

I panicked when Henrietta Rose-Innes released her excellent collection, ‘Homing’. I felt that if I didn’t get these guys down soon, then someone else was going to nab them. South Africa is rich that way, a repository of tall tales that haven’t been completely told. The loopholes are still many and varied. But they’re getting closed up as writers realise where they are.
Short stories feel truer, somehow: they’re a way to take the fragments of real life and work them into something satisfying – and that hardly ever happens in the chaos of the everyday.

From Issue 13 (Sept 2011)
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interview by Joe Vaz

I didn’t set out to write a comedy, but my narrator — twitchy, hapless sort that he was— turned up with a cosmic “kick me” signed pinned to his back. I decided to let him do the talking.

From Issue 13 (Sept 2011)
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interview by Joe Vaz

I often forget exactly what inspired a story, probably because it's usually a convergence of several things. Or sometimes because of a lack of sleep. (See question 2.) One thing that contributed to it was a realization that Rafe's timeline was going to coincide with the Jack the Ripper murders.

From Issue 13 (Sept 2011)
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interview by Joe Vaz

I was thinking about The Crucible, by Arthur Miller, which is one of those plays we all read in high school, and this image popped into my head. A beautiful girl (Abigail Williams) with a wicked smile, just walking down the middle of the street in 17th century Salem, and behind her, the town burns.

From Issue 13 (Sept 2011)
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interview by Joe Vaz

The story took a little while to plot. I knew the direction I wanted to go and I had a pretty good idea who some of the main characters would be, but it wasn't until I started writing that all the characters were formed.

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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interview by Joe Vaz

To be honest, this was a story that simply unfolded while writing. I had a vague idea of the setting, a rural town in the southeastern United States, the image of a lost and lonely man, and the intention to explore something strange. I challenged my subconscious to bring the weird and this is what came out.

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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interview by Joe Vaz

I think what the international thing does is it breaks it open to the mainstream and suddenly you get the people who weren't paying attention. It kind of breaks through... I guess they have cultural barricades up, and I think a lot of that, unfortunately, is against South African stuff, you know.

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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interview by Joe Vaz

the greatest reading experience I could imagine having would be to read a collaboration story written by Woody Allen and HP Lovecraft. A fractious working relationship that undoubtedly would have been, but I can't help but imagine that it would have produced something amazing.

Cover Art by Vincent Sammy From Issue 12 (August 2011)
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